wedding scene shadow of a doubt alfred hitchcock

There's more than whiff of Hopper in TV's Mad Men, the precise melancholy of graphic novelist Chris Ware and dystopian polish of New Yorker illustrator Bruce McCall. From the late 1930s and into the 50s, Hopper was very much in the air in Hollywood.

And there's every reason to think Hopper felt the same way about these directors, starting with the simple fact that his paintings were almost all horizontally oriented, with roughly the same aspect ratio as a movie screen. Robert Siodmak, Orson Welles and Billy Wilder, to name just a few, also had Hopperesque visions.

Of course, Hitchcock wasn't alone in noticing Hopper's cinematic virtues. In 1960, when he learned that Hitch had based the Psycho house on his House by the Railroad (1925), he was pleased and flattered. If you want to get a sense of Hitch's visual style, go buy a book on Hopper.Īt the same time, Hopper, an inveterate movie-goer, had seen many of Hitchcock's films. But of whom was Hitch a fan? Edward Hopper, among others. In his day, Alfred Hitchcock had many thousands of fans. 'If you could say it in words, there'd be no reason to paint.'

Wedding scene shadow of a doubt alfred hitchcock